‘Instructions to the other from the Mother’, Kate Howe, 2023, Site-specific Installation at RuptureXIBIT, waxed kraft paper, lights, wire, bin bags. Detail shot. Photo: Olivia England.

‘Instructions to the other from the Mother’, Kate Howe, 2023, Site-specific Installation at RuptureXIBIT, waxed kraft paper, lights, wire, bin bags. Detail shot. Photo: Olivia England.

‘The Templum’ ‘The Templum’, Kate Howe, 2024. Site-specific installation at Orleans House Gallery. Sound by Nick Parkin. Aluminium armature wire, industrial waxed kraft paper, lighting. Divine Totemic ‘Eiko not Sada’ altar and offerings. Hands: Oliv

‘The Templum’ ‘The Templum’, Kate Howe, 2024. Site-specific installation at Orleans House Gallery. Sound by Nick Parkin. Aluminium armature wire, industrial waxed kraft paper, lighting. Divine Totemic ‘Eiko not Sada’ altar and offerings. Hands: Olivia England, Sally Minns, Ella Deregowska, Tom Wight, Dave Harris, Paul Fahy, Sarah Anderson, Raj Sharma, Fadwa Dajani, Sadie Wight, Stephanie Harris, Nick Smith. Marie-Gabrielle Rotie and Yumino Seki perform Butoh in the Templum. Saturday 14th September 2024. Photo: Olivia England.

‘The First Twenty-Four Hours (Part One)’, Kate Howe, 2024, oil on linen. 160cm x 120cm. Installation View.

‘The First Twenty-Four Hours (Part One)’, Kate Howe, 2024, oil on linen. 160cm x 120cm. Installation View.

‘The Templum’ ‘The Templum’, Kate Howe, 2024. Site-specific installation at Orleans House Gallery. Sound by Nick Parkin. Aluminium armature wire, industrial waxed kraft paper, lighting. Divine Totemic ‘Eiko not Sada’ altar and offerings. Hands: Oliv

‘The Templum’ ‘The Templum’, Kate Howe, 2024. Site-specific installation at Orleans House Gallery. Sound by Nick Parkin. Aluminium armature wire, industrial waxed kraft paper, lighting. Divine Totemic ‘Eiko not Sada’ altar and offerings. Hands: Olivia England, Sally Minns, Ella Deregowska, Tom Wight, Dave Harris, Paul Fahy, Sarah Anderson, Raj Sharma, Fadwa Dajani, Sadie Wight, Stephanie Harris, Nick Smith. Photo: Olivia England.

Untitled #4, Kate Howe, 2023, Graphite on Belgian Linen. Installation View.

Untitled #4, Kate Howe, 2023, Graphite on Belgian Linen. Installation View.

‘The Templum’ ‘The Templum’, Kate Howe, 2024. Site-specific installation at Orleans House Gallery. Sound by Nick Parkin. Aluminium armature wire, industrial waxed kraft paper, lighting. Divine Totemic ‘Eiko not Sada’ altar and offerings. Hands: Oliv

‘The Templum’ ‘The Templum’, Kate Howe, 2024. Site-specific installation at Orleans House Gallery. Sound by Nick Parkin. Aluminium armature wire, industrial waxed kraft paper, lighting. Divine Totemic ‘Eiko not Sada’ altar and offerings. Hands: Olivia England, Sally Minns, Ella Deregowska, Tom Wight, Dave Harris, Paul Fahy, Sarah Anderson, Raj Sharma, Fadwa Dajani, Sadie Wight, Stephanie Harris, Nick Smith. Nick Parkin performs live soundscape, Saturday 7th September 2024. Photo: Olivia England.

Susanna's howling liver, delivered unto the Organ of Healing, Kate Howe, 2023, waxed kraft paper, stitching, lights, Divine and Memory Totemics, rocks bones and stones from the river Thames, hand hammered brass bowl, tealights, cushions. Site-specif

Susanna's howling liver, delivered unto the Organ of Healing, Kate Howe, 2023, waxed kraft paper, stitching, lights, Divine and Memory Totemics, rocks bones and stones from the river Thames, hand hammered brass bowl, tealights, cushions. Site-specific installation: the Crypt Gallery, St. Pancras. Variable dimensions. Kate Howe, 2023. Detail shot.

‘The Templum’, Kate Howe, 2024. Site-specific installation at Orleans House Gallery. Sound by Nick Parkin. Aluminium armature wire, industrial waxed kraft paper, lighting. Divine Totemic ‘Eiko not Sada’ altar and offerings. Hands: Olivia England, Sal

‘The Templum’, Kate Howe, 2024. Site-specific installation at Orleans House Gallery. Sound by Nick Parkin. Aluminium armature wire, industrial waxed kraft paper, lighting. Divine Totemic ‘Eiko not Sada’ altar and offerings. Hands: Olivia England, Sally Minns, Ella Deregowska, Tom Wight, Dave Harris, Paul Fahy, Sarah Anderson, Raj Sharma, Fadwa Dajani, Sadie Wight, Stephanie Harris, Nick Smith. Photo: Olivia England.

Susanna and the Others (After Gentileschi), Kate Howe, 2022, installation, oil paint and oil pastel with wallboard transfer and stitching on Belgian linen, with silk frame and textile elements, painting dimensions: 220 x 488 cm, Dyson Gallery, silk f

Susanna and the Others (After Gentileschi), Kate Howe, 2022, installation, oil paint and oil pastel with wallboard transfer and stitching on Belgian linen, with silk frame and textile elements, painting dimensions: 220 x 488 cm, Dyson Gallery, silk frame constructed by Jowan John. Detail Shot.

‘The Templum’, Kate Howe, 2024. Site-specific installation at Orleans House Gallery. Sound by Nick Parkin. Aluminium armature wire, industrial waxed kraft paper, lighting. Divine Totemic ‘Eiko not Sada’ altar and offerings. Hands: Olivia England, Sal

‘The Templum’, Kate Howe, 2024. Site-specific installation at Orleans House Gallery. Sound by Nick Parkin. Aluminium armature wire, industrial waxed kraft paper, lighting. Divine Totemic ‘Eiko not Sada’ altar and offerings. Hands: Olivia England, Sally Minns, Ella Deregowska, Tom Wight, Dave Harris, Paul Fahy, Sarah Anderson, Raj Sharma, Fadwa Dajani, Sadie Wight, Stephanie Harris, Nick Smith. Photo: Olivia England.

A thousand gates and the shadow of your blue eyes. (Sy) oil and oil stick on canvas 2021 200 x 200cm, Detail Shot.

A thousand gates and the shadow of your blue eyes. (Sy)
oil and oil stick on canvas
2021
200 x 200cm, Detail Shot.

‘The Templum’, Kate Howe, 2024. Site-specific installation at Orleans House Gallery. Sound by Nick Parkin. Aluminium armature wire, industrial waxed kraft paper, lighting. Divine Totemic ‘Eiko not Sada’ altar and offerings. Hands: Olivia England, Sal

‘The Templum’, Kate Howe, 2024. Site-specific installation at Orleans House Gallery. Sound by Nick Parkin. Aluminium armature wire, industrial waxed kraft paper, lighting. Divine Totemic ‘Eiko not Sada’ altar and offerings. Hands: Olivia England, Sally Minns, Ella Deregowska, Tom Wight, Dave Harris, Paul Fahy, Sarah Anderson, Raj Sharma, Fadwa Dajani, Sadie Wight, Stephanie Harris, Nick Smith. WIP Shot, Left to Right: Ella Deregowska, Sally Minns, Kate Howe. Photo: Olivia England.

I felt it brush my forearms as it fell, keeps falling, over and over. The sun, I notice, is very blue, coming through the leaves. (Susanna's Cloak, After Gentileschi with Memory totemic). 2022, installation, oil paint and stitching on Kraft paper in

I felt it brush my forearms as it fell, keeps falling, over and over. The sun, I notice, is very blue, coming through the leaves. (Susanna's Cloak, After Gentileschi with Memory totemic). 2022, installation, oil paint and stitching on Kraft paper in black surround with lights and Memory totemic, variable dimensions. (installation view), Installation View.

‘The First Twenty-Four Hours (Part Two)’, Kate Howe, 2024, oil on linen. 160cm x 120cm. Installation View.

‘The First Twenty-Four Hours (Part Two)’, Kate Howe, 2024, oil on linen. 160cm x 120cm. Installation View.

The Templum, Kate Howe and Jessica Mardon. 2023, kraft paper, stitching, gold leaf, dust from the cave of the Oracle at Delphi, 15 minute immersive sound piece, 15 minutes of silence. Site for silent hours, readings, performances, discussions, talks

The Templum, Kate Howe and Jessica Mardon. 2023, kraft paper, stitching, gold leaf, dust from the cave of the Oracle at Delphi, 15 minute immersive sound piece, 15 minutes of silence. Site for silent hours, readings, performances, discussions, talks and transformations. Variable dimensions, site-specific installation for the Wild Parlour: Alternative Airport at RuptureXIBIT, London. Detail shot.

Susanna, Even the Oak Betrayed You. (After Gentileschi with Divine Totemic) 2022. YinMin blue, 24K Gold, stitching on Kraft paper with prickwork. 6.7m x 3.4m. In response to Artemisia Gentileschi’s 1610 painting Susanna and the Elders. (Installation

Susanna, Even the Oak Betrayed You. (After Gentileschi with Divine Totemic) 2022. YinMin blue, 24K Gold, stitching on Kraft paper with prickwork. 6.7m x 3.4m. In response to Artemisia Gentileschi’s 1610 painting Susanna and the Elders. (Installation view.) Detail shot.

‘I broke into your garden today and wrote you a letter from the bench under your window.’ Kate Howe, 2021, oil paint and oil pastel on canvas, 200 x 200 cm. Installation View.

‘I broke into your garden today and wrote you a letter from the bench under your window.’ Kate Howe, 2021, oil paint and oil pastel on canvas, 200 x 200 cm. Installation View.

‘The Templum’, Kate Howe, 2024. Site-specific installation at Orleans House Gallery. Sound by Nick Parkin. Aluminium armature wire, industrial waxed kraft paper, lighting. Divine Totemic ‘Eiko not Sada’ altar and offerings. Hands: Olivia England, Sal

‘The Templum’, Kate Howe, 2024. Site-specific installation at Orleans House Gallery. Sound by Nick Parkin. Aluminium armature wire, industrial waxed kraft paper, lighting. Divine Totemic ‘Eiko not Sada’ altar and offerings. Hands: Olivia England, Sally Minns, Ella Deregowska, Tom Wight, Dave Harris, Paul Fahy, Sarah Anderson, Raj Sharma, Fadwa Dajani, Sadie Wight, Stephanie Harris, Nick Smith. Photo: Olivia England.

‘Instructions to the other from the Mother’, Kate Howe, 2023, Site-specific Installation at RuptureXIBIT, waxed kraft paper, lights, wire, bin bags. Detail shot. Photo: Olivia England.

‘Instructions to the other from the Mother’, Kate Howe, 2023, Site-specific Installation at RuptureXIBIT, waxed kraft paper, lights, wire, bin bags. Detail shot. Photo: Olivia England.

Untitled #4, Kate Howe, 2023, Graphite on Belgian Linen. Detail shot.

Untitled #4, Kate Howe, 2023, Graphite on Belgian Linen. Detail shot.

‘The Templum’, Kate Howe, 2024. Site-specific installation at Orleans House Gallery. Sound by Nick Parkin. Aluminium armature wire, industrial waxed kraft paper, lighting. Divine Totemic ‘Eiko not Sada’ altar and offerings. Hands: Olivia England, Sal

‘The Templum’, Kate Howe, 2024. Site-specific installation at Orleans House Gallery. Sound by Nick Parkin. Aluminium armature wire, industrial waxed kraft paper, lighting. Divine Totemic ‘Eiko not Sada’ altar and offerings. Hands: Olivia England, Sally Minns, Ella Deregowska, Tom Wight, Dave Harris, Paul Fahy, Sarah Anderson, Raj Sharma, Fadwa Dajani, Sadie Wight, Stephanie Harris, Nick Smith. Atmasfera perform Kirtan in the Templum. Saturday 17th August 2024. Photo: Olivia England.