INSTALLATION

‘Susanna's howling liver, delivered unto the Organ of Healing’, Kate Howe, 2023, waxed kraft paper, stitching, lights, Divine and Memory Totemics, rocks bones and stones from the river Thames, hand hammered brass bowl, tealights, cushions. Site-specific installation: the Crypt Gallery, St. Pancras. Variable dimensions. Kate Howe, 2023. Hands: Sylvia Flatau, Sadie Wight, Ellen Wight, Tom Wight, Sharon Owenga, Olivia England, Ben Coleman, Guy Shoham. Installation View.

Instructions to the other from the Mother

Kate Howe, 2023, Site-Specific installation at RuptureXIBIT, waxed kraft paper, lights, wire, bin bags.. Collection: Paperwork, Installation, Performance.

‘The Infinite Intimate’

Kate Howe, 2023, Site-Specific installation for ‘Light Being’ at Lychee Gallery. Kraft paper and stitching. 6.8m x 3.7m. Hands: Olivia England, Tom Wight. Collection: PaperworkInstallation.

‘Final Feeding’

Kate Howe, 2023, kraft paper, aluminum wire, tar, shellac and stitching, Site-specific installation. Collection: Paperwork, Performance.

‘The Templum’

Kate Howe and Jessica Mardon. 2023, kraft paper, stitching, gold leaf, dust from the cave of the Oracle at Delphi, 15 minute immersive sound piece, 15 minutes of silence. Site for silent hours, readings, performances, discussions, talks and transformations. Variable dimensions, site-specific installation for the Wild Parlour: Alternative Airport at RuptureXIBIT, London. Hands: Sally Minns, Olivia England, Sadie Wight, Tom Wight, Sylvia Flateau, Flo McCarthy, Leon Watts. Collection: Paperwork, SusannaInstallation, Performance.

‘Susanna's howling liver, delivered unto the Organ of Healing’

Kate Howe, 2023, waxed kraft paper, stitching, lights, Divine and Memory Totemics, rocks bones and stones from the river Thames, hand hammered brass bowl, tealights, cushions. Site-specific installation: the Crypt Gallery, St. Pancras. Variable dimensions. Kate Howe, 2023. Hands: Sylvia Flatau, Sadie Wight, Ellen Wight, Tom Wight, Sharon Owenga, Olivia England, Ben Coleman, Guy Shoham. Collection: Paperwork, SusannaInstallation, Performance.

‘And do not saw the air with your hands too much, thus. Hmmm?’ (Hamlet to players)

Kate Howe, 2021, installation, oil paint, oil pastel, rapidograph pencil, copper wire, trickline, and stitching on linen, with plastic tarp pieces, dried leaves, logs and festoon lights, painting dimensions: 278 x 488 cm.

Collection: Erotics of Power, Painting, Installation.

‘Susanna and the Others’ (After Gentileschi)

Kate Howe, 2022, installation, oil paint and oil pastel with wallboard transfer and stitching on Belgian linen, with silk frame and textile elements, painting dimensions: 220 x 488 cm, Dyson Gallery, silk frame constructed by Jowan John. Collection: Susanna, Installation, Painting, Paperwork.

‘I felt it brush my forearms as it fell, keeps falling, over and over. The sun, I notice, is very blue, coming through the leaves.’ (After Gentileschi with Memory totemic)

Kate Howe, 2022, installation, oil paint and stitching on Kraft paper in black surround with lights and Memory totemic, variable dimensions. Collection: Susanna, Installation, Painting, Paperwork.

‘Mechanism of proof of unpickability: Encounter 1’

Kate Howe, 2022, installation, a side altar with vintage ViewMaster, archive reels and artist’s research presented in five additional reels, with damask altar cloth and devotional painting (not shown), installation view. Collection: Susanna, Installation.

‘Susanna, Even the Oak Betrayed You.’ (After Gentileschi with Divine Totemic)

Kate Howe, 2022, YinMn Blue oil paint and liquid gold leaf on Kraft paper with stitching, prikwork and divine totemic. painting dimensions 670 x 370 cm, Installation view. Hands: Ann Quilter, Ellen Wight, Sadie Wight, Ronan Porter, Mariam Nakiwala, Veronika Benk. Collection: Susanna, Installation, Painting.

‘Before the Bath’ (After Gentileschi)

Kate Howe, 2022, site-specific installation, YinMn Blue oil paint and liquid gold leaf on Kraft paper with prickwork and stitching, variable dimensions, created for the show Omitted References at the Art Pavilion at Mile End, Hands: Noa Pane, Ellen Wight, Isabelle Jolliffe, Sadie Wight, Tom Wight.

Collection: Susanna, Installation, Painting.

‘Susanna, what do they owe you?’

Kate Howe, 2022, YinMn Blue oil paint and liquid gold leaf on Kraft paper with stitching, 680 x 390 cm.

Collection: Susanna, Installation, Painting.

‘Susanna Herself’

Kate Howe, 2022, oil paint and liquid gold leaf on Kraft paper with stitching, 285 x 300 cm.

Collection: Susanna, Installation, Painting.

‘Susanna's Chapel Walk’

Kate Howe, 2022, site-specific installation, oil paint, liquid gold leaf, and stitching on Kraft paper.

Collection: Susanna, Installation, Painting.

‘Eiko, not Sada’

Kate Howe, 2022, site-specific installation, tattoo on skin.

Collection: Susanna, Installation, Eiko.

‘Totemics’

Kate Howe, 2022, photographic print of Eiko, not Sada, black or gold frame, brass nameplate reading ‘Eiko, not Sada’. Collection: Susanna, Installation, Eiko.

‘What is this narrow passage?’ (After “In the Realm of the Senses”)

Kate Howe, 2022, installation, kraft paper, plushie textile, black cling film, oil paint, electric lights, LaDyptique Tuberuse candle, wicker stool, Murano glass ashtray c. 1971, RuptureXIBIT. Collection: Susanna, Installation, Eiko.