What is Woman
Ellen
oil and oilstick on canvas, 2021, 214 x 214cm
Strutton said there were ghosts in my life. I told him I’m just haunted by the future*
The past is always running in parallel tracks to me, I see me
streaking through the frosted glass, slipping on a milky beam, falling, caught, yanked back by my hair, and catapulted forward again
It is crowded in here
on the parallel greased racetracks of time
every one of me thinks that if they just run faster, they will be right
every one of me is mistaken
but I don't have time to parent us all.
Occasionally, I've stopped, and sat in a circle with myself,
and gathered her and me into my lap and told us she is loved, and it soothes us,
the mes of before
I can tell because when I do it, Me heals, a piece of me which was broken ceases to be broken, it un-breaks
like time flows backward and creates a little bypass for that me to slide around, holding my hand.
I play in the temporal paradox, I dance dangerously with the hard and fast rules
-Don't see yourself in the past
-Don't change anything
-You might cease to exist
but in my case, everything is reverse engineered anyway.
I ceased to exist
and so when I time travel
I look for myself on purpose
and I change the past
causing me to come more into flesh
it’s not the silvery figures
of long limbs and awkward elbows
-oh when I look at them straight on today, I feel the fear rising like opening a portal to a raging sea
-howl
-she comes straight at me howling
-she runs away transforming
and so when I time travel
I look for myself on purpose
and I change the past
and I cease to not exist
it’s not the silvery figures
of long limbs and awkward elbows
that I see when I can see her
but a jumble of words
and she is swathed in them, they clutch at her feet and crawl through her hair
Alice caught in the tulgey wood of not-truths presented as cakes to eat
eat me
believe me
I want to scatter across the skidding time frames
"don't!"
and "fake news!"
but when we are six, we trust the guardians of our childhood, don't we?
I have a secret feeling that if I could just perform one act of righteous violence,
provoked,
I would heal
....and sometimes I think
come on, give me a reason, I’m strong enough now.
Please.
The specter rises and asks, what would happen if you stepped across that divide? The knife-edge of control? The fantasy is delicious, but I could never tell you I do it, think about it, know it exists as an alternative to compassion.
that would mean admitting I’m not as healed as I want to be, need to be, insist I am
that would mean knowing she's coming.
Here is the ghost that haunts me, then
It is not the mes of the moment or decade before in all their trauma
that all is known, and anything known, no matter how horrific, is un-scary. I like to turn all the lights on and look directly at my fear.
bare.
naked.
clinical.
facts.
Past.
Truth.
unblinking.
no. it’s not the past mes who haunt me
it is the me of the future
the imprint of she who is coalescing and forming as I enflesh
as the pasts overlap and build me a memory at a time
she terrifies me
she has the capacity to be unfeeling
and uncaring
and sharp
she doesn't couch her successful navigation of the world in kindnesses which protect others
see that's my skill set what I mean to say is
she doesn't give a fuck if having healthy boundaries hurts your goddamn feelers your problem is your problem
get too close and I'll backhand you with my cast
I don't want to break your heart or destroy your life
I want to physically move to act against the theft of the past
in other words, I want to hurt you
(oh shit she is a specter purpose-built to wage the war of the past
that young me could not)
I need to take her offline
she will cause reckless havoc in my life
because she isn't born in the system
she's a product of threading through the timelines
a separate me, unlike the others
a potential me, but unfettered by ethics, morals, bent by vengeance
she lives only for reclamation of all that was stolen
of innocence eaten bloody at the table every Friday night
smeared on the lintel of my prepubescent body
I have a plan for her, this monster of the future me when she shows up
bristling for a fight
I’m building a safe space where she can live
and then I’m going to make a ritual
and burn marks into the floor
and ask her to come through
and let her form
and then I’m going to ask her to teach me how to paint.
*a response to Derrida
#WFH
2021 150 x 120 cm charcoal on canvas
I have always wondered, really
What is a woman? What is Woman for that matter, the cascading demonstrations of my life: No one likes a fat girl. Sit like a lady. You look like a whore. What a wonderful Woman. She has beautiful breasts. There is nothing sexier than a pregnant woman. I mean okay, I’m past words because there’s just so much to unpack, the problem is, I don’t have marks yet either. This red haze of rage escapes my ability to communicate. I am searching. I am fucking searching and searching for a way to express the incredulous understandings of my programming as they are revealed to me. I am a psychic surgeon, I insist I will be whole. I will take the raft of beautiful lessons I learned from my abusers and with a laser scalpel I will remove the oils of their touch from my worth generator. I ruthlessly interrogate my programming, I peel it off in microns and lay it like tissue paper on the floor, and after a while I see it as separate from me, the lines, traced back to their hacker origins are pulled out and the access points sealed. I post a guard at every gate. I get taller every ten days.
I am not to be defined or understood by anyone, who has hope of that anyway? We don’t even know who we are, let alone who someone else is. After spending my life interrogating that role, WOMAN, slipping into each archetype and filling it out until it pushed its needy flesh through the seams, I arrived at the exhausted, slightly bitter despair I’ve come to both associate and dread in feminists of a certain age.
Then my child came out as a transgender woman. I will not lie, one of my first thoughts was - oh shit - what kind of a role model have I been to a young woman? Followed almost immediately by the head-smacking realization that this bias makes me part of the very system I’m fighting against.
Because if I’d known she was a girl, I would have parented her differently. I find myself now feeling like she is vulnerable, she is a woman who was never indoctrinated into the sisterhood of Things We Know. Her father told her to stop using so many razors, to use them longer, to save money. Her father doesn’t shave 90 percent of his body every day.
The conversation over, he went back to his phone. I leaned in and looked at her, eyes on eyes and the rest of us hidden behind covid masks as the train rocked back and forth. “Don’t ever let a man tell you what to do with your body. What is allowed, how it should look, how to “prepare” it, and how much you can spend on it? This is not his body. This is your body. If you need three razors a week, use three razors a week.” She’s savvy, she’s not trying to waste money.
What else haven’t I told her? How is it possible I spent so much time wondering how she would feel about women and would she ever really understand them, would she ever be a toxic male? This was my fear, growing spineless boys or toxic men. Meanwhile, neither of those things were even close to being a problem. She wasn’t playing Warframe with its just-below ass level camera to look at the shiny space-aged Kardashian flanked heroine to ogle and objectify a woman, she was playing Warframe to embody experience as a woman. This is why she wants a VR headset. That and it’s cool, but what better way to handle not having to face the enormous gap between realizing you are a woman and finding yourself in a body that matches that reality.
She’s terrified of needles. It took eight hours for her to get a vaccination when she was thirteen. She hyperventilated in the nurse’s office and hid under the desk. They had to bring in a specialist to help us get her out of there. How in the world will she even start thinking about the realities of transformation? VR all the way baybee. She’s amazing. She’s a blazing fucking supernova of certainty even floating in a cloud of dysphoria, she’s pinned down in the center. All compasses point to Ellen. I watch, and I am amazed.
She slides sideways through my mind (tiny falling figures cascading through the sky).
2021 214 x 214 cm oil and oilstick on canvas
I sometimes have trouble sorting myself. I mean into categories. I don’t understand fluid because I’m everything and nothing all the time, so when I have to squeeze my sloppy, amoebic self into a container I get confused. My body has always felt like an alien thing, it stopped being mine to own when I was six years old. I took it back one cell at a time in a war that wages on, lines redrawn, territory conquered, the bombed out buildings of my body losing their value as once fertile fields fall fallow.
The vehicle of my consciousness is apparently gendered (!)
2021, 250 x 214 cm, oil and oilstick on canvas
For instance, here are some categories, I don’t know, how would you handle it?
I tried, sort of, to do a kind of a “hunting the serial killer” murder map to try to figure out how to pull things across and figure out what this Woman thing is according to my sort of sociological programming. All I come back to is the thought that there is a lot of information and none of it has anything to do with what a woman thinks a woman is outside of the sociological framework - which was not created by a woman so isn’t valuable as a rubric. How do I do anything without a rubric? Everything I love is rubric-less and I stay sane by finding the brief and knowing the goals. Skiing taught me that. It gave me a scaffolding of sorts to build my understanding of the world and hold it up off my head like a roof. It was like camping under soggy cardboard before.
Naked, without a mirror, I see without looking, without eyes, with force, flex, sag, jolt, breath and sigh. (1)
2021, 250 x 214 cm, oil and oilstick on raw canvas
The raw canvas sucks
on the paint and
shows the pigment
suspended inside the threads
it is like watching the canvas eat the paint
and then
the paint will eat the canvas.
Painting ate me.
This is me trapped inside myself and trapped in limerence with painting.
Naked, without a mirror, I see without looking, without eyes, with force, flex, sag, jolt, breath and sigh. (2)
2021, 250 x 214 cm, oil and oilstick on raw canvas
I thought I had figured it out a couple of times, honestly. Every time I was like OH! THIS is what a Woman is, or this is how I can pretend to inhabit this social construct that fits like a prickly coat made for someone with narrower shoulders than me. And for a while I stood really firm in that, I rooted. I couldn’t buy anything pink, or use pretty colors in my painting yet, but still, I had found my musky femininity in the realm of the wild. There was a crack in the door where the light spilled through and in that space, I flexed my mannish nature into heels and hair.
Funny how that was an act of drag, but it fulfilled the fantasy? The woman I ended up with was sort of like a build-a -body, layers of transparencies overlaying and obliterating until the shape was me, there I was, but I was a Luwak, a shaper-shifter, a sprite fulfilling fantasy to take form. I couldn’t find myself. And then I got breast cancer. And everything changed.
Pain maps.
I went from being a fit full-time mountaineer to flat on my back in bed feeling like someone was strangling me to death in one day. I stayed in bed for two years. In the third year, I moved to the couch. Now I split my time evenly: couch, bed. Every choice to be somewhere other than couch or bed comes with the acknowledgment that I will pay in kind. The bed will crash over me like a tsunami and drag me, limp up the stairs of our steep Victorian railway home and I will sit, suspended in the London roofline, crooked pots void of smoke poking into the damp lavender sky. It’s much better than laying on a mattress on the floor in the dark back bedroom of our tiny cold cabin in Aspen. That home was charming and quirky when I was healthy and depressing and dangerous when I was not.
I started drawing as a way to handle the pain. After twenty-six trips to the emergency room, I was tired of no diagnosis, tired of being offered pain killers when clearly we needed to use the pain as a diagnostic tool to solve the puzzle of what the FUCK was going on with my body? We poked the bear right in the tit. Right in the Female Signifier and LOOK what happened.
They found tumors dripping down my neck like polyps on strings of kelp when they saw my drawings.
But it didn’t cure me. I kept drawing, focusing on the pain, when I’m breathing I’m surrendering into it, turning it over in my hands with curiosity, what is the nature of the pain? What are its qualities? I make a blind contour drawing looking at the pain, I trace my neurologic misfiring through my spastic, screaming body. It becomes exquisite pain.
This then is Woman. This is a sick woman. Add it to the list. She’s got the vapors. Hysteria. My female oncologist told me I had anxiety. We still don’t know what it is - other than my teacher, the specter of my once female body, bent to my will every which way, agency taken and power pulled back, roots grown and tit hacked off - this flesh sack is the Great Teacher I’ve been looking for. She’s staring right at me.
<< That’s a video, by the way. Click on it.
Intravenous
The tang in the back of my throat, a rushing gathering warmth
roof of mouth
swallow
pulling down into warmth
it doesn't feel like I've peed myself
thought they said it would
almost a burn a spreading across my groin
and the taste of
the taste of
the taste of
hollow echoing corridors
alcohol
saline
fresh rubberized plastic
nothing tastes like anything in here because everything
smells
like the antiseptic they wash the floors with
the machine with
the me with
the crack and peel
that sound of the disposable
pop
this means i'm sanitary
the sudden tunnel wrapping my vision
in indigo clouds
a zolly shot
i can't let them know
I'm the easy one
the happy patient
they give you more drugs if you are on either pole
screaming in unrelenting agony
or smiling and laughing and being brave in the face of unbearable illness
anything in-between and you won't get the magic elixir
that makes it stop
they'll push almost anything through this tap
into my consciousness
radioactive things
dye
dilated
dying?
the one thought never permitted
even seeing the thought
out of the corner of my eye
No
.
No.
.
dying
dying
this must be the precursor to dying
i beat it back
i search desperately for something to beat it back with
Catherine Anne Howe. Absolutely not.
I send my traitorous weakness into time-out.
That way lies madness and you must not be mad.
They treat you different when you are mad
Or they don’t treat you at all.
the nurse, quick
something true, something you can say something to change the focus something to switch me
from complainer
to ally
to friend
to someone she wants to care for
..."those are beautiful..." everyone wears scrubs... what, crocks? what can I say? Her eyebrows! They are plastic perfect they are overdone they are penciled on, she took time to make them like that.
"Your eyebrows are amazing," I say. It has to be truth or it doesn't work. They are amazing. It doesn’t mean I like them. I am, indeed, amazed by them. This is true. I breathe out.
She smiles, slips out of Nurse and transforms in front of me, the bridge has been crossed. She becomes a person in the halls of pain and complaint.
"Thank you! I use a stencil. I learned on YouTube actually, there's a make-up artist I follow." I learn shaping, pupil location for the arch, individual plucking, trimming, and penciling techniques as she snaps the tourniquet with relaxed confidence, chatting away. I make interested noises. I ask follow up questions. I admire the fine brushwork and matte powder which makes them look airbrushed.
"Do you mind...?" I break in as she approaches
Pop!
I’m sanitary
Here I come
as though it is my first time imposing this question.
"What, hon?"
"Well, I have shitty veins, I'm sorry. There's a good one on the side, but I think it might be hard to hit. Most people can't hit it but it runs well when they do... I don't mean to impose; I just have had a lot of bloodwork done in the last couple of years…
Time this right, it has to sound
nonchalant
uncomplaining
factual
and a little, but not too pathetic.
… because of Cancer."
That's how you do it. You don't say
i get a lot of ivs
please put it here
this is the vein where it doesn't hurt
i know my body
you can't say
anything
about drugs
you have to imply blood draws, things coming out
not things going in
or they won't give you
the only thing that works
I drop the C bomb
I play the cancer card
Why is it a play when I am sitting here because I had cancer? I can’t answer this question. You ask hard questions.
I walk around with an instant hit happy tap
once i'm in the brave column they'll drop whatever i ask for into it
and off my senses go into and beyond relief
delicious torpor
freedom from responsibility
an iv is the ultimate hall pass
no one expects you to be on time to anything
if you have an iv in
I wore one for a week once, in the crook of my arm
it snags
and pulls
i took it home and brought it back, along with my bloodstream
so they could push antibiotics and fluids and more dilauded
once someone pushed something into it
this tube of relief and bliss
while i was sleeping
after they'd hammered my neck back together
with pieces of my hip
and a metal plate
but I'm not supposed to talk about that
he left a hand print on my pubis that showed his angry thumb for days
they paid me not to tell you
but my body insists
as i slept he dumped
we are not sure what
into the tap
into my sanity
some things that made me forget the act
but his hand, inside and out, the tools he forced
left marks that told his lie for him
i surrender
and get in the car
and drive myself to the hospital again
a path more familiar than my drive home, almost
and almost always solo
i don't like company at the hospital
i don't like holding someone else's hand through their fear
when i need to marshal mine
so i can get into the
give her the good shit and don't be shy column without preamble
in the car i worry.
i worry that the nurse will be new
or experienced but proud
or young and cocky
i try not to rehearse my litany
because if it sounds practiced, i won't get the good shit
the best order is a nursing student
who listens and hits the robust vein right above the valve near a freckle in my right arm outside the eye of my elbow
but i have rolling
collapsing
weak
fearful
veins that spit the iv out
sometimes they go fishing
back it out and dig around
i can feel it tear. i am afraid to move
my heart hammering in my chest, i watch my glasses throb in my vision, i hear the rush of my heartbeat in my ears, i slip into glazed meditation and breathe, staring at my heart rate on the machine, willing it lower
do not tell me I have anxiety
then all the drugs will go away
i am anxious, i want to yell to those who have yet to accuse me, because it is such a fucking crapshoot and no one gets it right the first time
I am anxious, I want to yell, because i must be the perfect patient for you, solving who you need me to be in real time, through, above, beyond and past the grinding complete pain i have brought to you
for treatment.
first it has to be about you
so you'll hit the vein
and dump
2 liters of warm saline
dilauded
and an antihistamine
like a package in a balloon sailing over the barbed wire fence of my pain
it drops
the parachute falls slowly, collapsing, the sun hits the basket
the puddle of cloth forming a stain on the ground
as everything relaxes
it is in
it is being flushed
my blood blooms beautifully up the tube
it is pushed
i watch it go back in, i feel the cold substance
the not me
go in
a millionth of a second
and there is nothing
but surrender
not to the pain but to the reprieve - thirty five minutes exactly my body will hold and suck on and savor the relief, my eyes close, i hear them but i have no obligation to respond.
we are being wheeled - i know these halls in six hospitals and more
to the cat scan where they push dye
to the MRI where they push dye
to the x-ray where i have to get up and behave
and back
snap
the curtains crisp
my private cubicle of tubes
i look at my heart rate. I have to keep it up now, not down
or the alarm will sound
and I won't get any more
of the good shit.
42 BPM then.
It stays quiet
i pretend to sleep
the plastic tugs and pulls
the tape tears my pink flesh from yesterday's tube
it snags on the sheet
i hate this deliverance
i hate the device of remedy
i long for it so often
as my body continues its betrayal
but i mustn't think that way
my body is like the nurses, it will not give me the good shit
if i am not brave in its face
or at least pretend to be
I got my BA finally in my fourty-ninth year. Cancer put me in bed. I had years to kill.
I needed some sort of way to cope with the loss of everything I had constructed - not to save a lost reality of time or place but of location of sense of self. I floated, disjointed, alone. I wasn’t alone but I was so alone. My memory of the time in Aspen when I was sick is one made of spun black cotton thread like fascia of obfuscation growing across my vision, or other people’s vision of me.
I had left school so my husband could finish his degree first, and then I had children, and then being an artist wasn’t practical, we needed an income from me, so I became a ski instructor, a massage therapist, a yoga instructor, and I gigged my way around life trying to be all of the women all at once. It was like octuplets had multiple personality disorder in my mind.
I graduated online, my walk across the stage, so long delayed, cancelled because of Covid. It had been twenty-seven years since I left school the first time, going back and trying to value myself enough to finish no less than five times.
Never the less, my BA in Art History with focuses in Sociology, Psychology, Religious Studies and Forensic Anthropology was awarded to me Suma Cum Laude in June of 2020. I graduated in my bare feet and never heard my name. I wore my honor cords over my t shirt and jeans.
I wrote a sort of interactive story of the Problematic of Woman through the lens of feminist art history for my senior thesis.
You can experience the wonder here if you want to read more.
Walebones waling
video installation on torn muslin and canvas with photograveure. sound by Ronan Porter
#WFH
2021, 250 x 220, oil on canvas
This is absolutely the most vulnerable I’ve ever been when I’ve made a painting.
I’ve never ever made a painting like this before. I’ve never wanted to make a painting like this before. I’ve never felt okay enough about Woman and Me to make a painting like this. Motherhood is part of my experience of being Female, part of my observed and lived experience and it is fraught psychically, a freakish magnifier of everything that is confounding about the insistence that women be perfect women, all things to all people. Virgins or whores, one of the two Marys or nothing at all.
Michael Connelly, the savior of my brain during my darkest hours (he writes the Bosch books) wrote that being a parent is like walking around with a loaded gun pointed at your head all the time. My own mother wasn’t keen on this as a statement, but I find it eerily accurate. A desperation to erase the world of evils so they’ll never know what you know, and equal measures of knowing they need to be equipped while at the same time, feeling it, the world I mean, raw on your skin like a cheese grater.
Baby child, it’s eating me alive
The supernova on the second floor is sad.
A response to the Carrier Bag Theory of Fiction by Ursula K. LeGuinn
“but it hurts” he said
And lifted up his bruised and purple
“where?” I asked
The round wet of his gaze rotated slowly to lock onto me
And spilled
And I watched it all slam shut
First the lids of the eyes, lashes sweeping down with a metallic clang
And then the rest
I’m not a native user but I’m always game to play
And when it’s an unmapped and blank person
Well, you have to do your best with that, don’t you
I can still feel the weight of their round and curling backs inside of me
And outside of me when my belly turned to fabric and they continued to grow, attached like migratory barnacles slowly sliding and crawling around my clinging midsection
Two large d rings on my shoulders
My hand skimming along the multicolored fabric
The specific combination of hoist and pull
And tight into my beating chest I could feel
The unwritten book of them
I had been the bag
And then I wore the bag
And then the containers were warm dark wood and tapestries
A kind of disheveled hominess of the nomad
Evertything was draped in batik and sari fabric to hide the fact that our bookshelf was milk crates and our coffee table was cardboard boxes
And after all of that now, when it matters most,
I sit on the edge of the bed in our hollow clean white “home” and it does not feel like a sling and there is no beating heart when you get pulled in close
Just the sound of breath being held and faces pressing against the glass
Or the sound of nothing, of a house full of headphones and screens
I pull them tight across my chest
And watch him howl as he loses the fight
again
I don’t recognize the moment he is in.
It doesn’t look like any of mine, though I do recognize the fear and the fury
I’ve leafed through the instruction manual of my lifetime so many times
Its worn and ragged and taped back together
But so few of the lessons I dog eared to bring to them seem to fit
That is it, really, isn’t it?
When I reach into my satchel toward all of the curated and collected, all the stacked and paperclipped and dog eared, licked, annotated, stuck on, taped together, gathered, shoe boxed, and labeled the moment my fingers touch the brittle edge they disintegrate
At least my fingers come away coated in something
like stardust
It is beautiful but it tastes like stale tears coated in radium – problems from and for another era
How can I help when I have no tools
The tool I’m supposed to employ – the eject button, is broken. I’m not ejecting him into the vacuum of London, we all know the air will kill you
And, hand hovering over the button, I replace the safety cap and power down the machine and look at him
At the unfairness and at the fact that it doesn’t matter
(I hope)
(maybe I can love them back into health after/during all this?)*
I stroke his still plump cheeks
I run my fingers through his hair, damp
In the shimmering moment when their bodies flicker
Before, when he was only half awake in the morning light, before consciousness reminded us
That the days of running and squealing in the sunshine
Mango juice running down his chin
Are over
Before I watch the glistening bubble of possibility come into range of the death star of the animistic howl of being seventeen
Which happens every morning at nine-thirty
Like watching the scheduled murder
Of the swelling unsupressable joy which bursts across your chest after a deep and cold winter and you see the vibrating purple crocus, just newly unfurled
Before I watch this happen every morning, in the tangle of sweaty hair against soft pillow
the trusting heart sleeps
the face lets go of its mask
and he is there
I don’t want them to be my heart walking around outside me
I don’t want to care this much
Its distracting
And terrifying
And I thought I’d be immune from it, as I said, I’m not a native user.
“mom!”
Oh shit, that’s me. “Coming!”
I thought they’d pout a bit and smoke some weed and then go off to university and bump along and come home when they got broken up with and I’d come home from the studio and wash their laundry and hug them and make a pie and it would be fine and it would suck a little but in the end the good would outweigh the bad and we’d always have each other.
But flickering bodies never age
And all the tears and triumphs his swollen aching heart can carry
Leak out from under his door and creep up my stairs and twist into sinews which whisper with rank breath in my alert and sleeping ear:
It hurts.
I have to wonder if he wasn’t confined to this third container
What the wound would be like
My seventeen was so many things
But the moment that lasted, that seared, that formed and forged
Happened around four pm on a school day
In Kris Faller’s mother’s living room
He held his hand up
I held my hand up
We watched the light go between us
We marveled at the warmth of our connection
We marveled that we had found each other
We marveled that we knew we weren’t in a hurry
There were no mashed lips and banged teeth
There was this suspended silver threaded moment of time shattering otherness
It was marvelous, worthy of marveling
I don’t even remember if we kissed that day
Or the next maybe
All I can see is the dust suspended in the light
And the light around our hands, held against each other
And the feeling in my chest that I was accepted
As I was
My brusied and purple boy
When he can slide out of the gravity well of his bed
Ricochets off the walls of his heart
In his favorite straight jacket
Knocking over art supplies he never opens
For fear I will say “Oh good. You opened them.”
Why this fear is stronger than not being prepared for class
Is one of the great mysteries of the universe, but at least that’s
Within the range of expectation. That’s seventeen. That’s stubborn, sure, obstinate, control, appositionally defiant. That’s something.
This is something else
This is a curling tunnel to nowhere
Instagram DMs glowing near his face at 2am
Somewhere out there are his friends
Never one he held hands against in the sunlight and felt the impossibility of life’s crushing defeats being lifted, like entering oz, the impossible color spreading slowly across the landscape in one glittering reveal
The rest can be shit, but right now, I am feeling at 11.
I go to 11.
My heart goes to 11.
Someone values me at 11.
I can be loved, even when I am at 11.
Where is the one, the net, the sling, the capture, the fingers braided together, to boost, to lift, to lock together and loop over shoulders to pull close
To capture the round wet gaze and take the mask and drop it casually to the ground
To shatter
So they can see him clearly
In my mind, he stands open for the viewing
Luminescent in the sun of first stupid love all armor stripped to the floor
What absolute morons we are at that age, to trust so completely
What lucky fucking morons
To be ready to be read by the fingers of his lover, mapping him, mapping that which he hides even from himself
I know my moment
In the sun
With Kris
Formed me, the me that carried my children, in the carrier bag of my skin and bones and in the carrier bag of the slings, two of them, one for the infant and one for the toddler
Crossed at the bosom, one tit for each
Swoop and pull, run hand down curled back
Pop the foot comes out of the sling
Pop my breast, exposed and leaking in line at Starbucks but my hands are full
And honestly, I don’t mind
But I worry when I see
A shaft of magical light coming through the mist in Bushy park
Where we walk with friends, none of whom are seventeen
That this hollow
Empty container
Full of the almost familiar
Floating precariously on a random street in Clapham
Is not painful enough
To temper him
What happens during heart breaking time
If there are no hearts to be found
To throw against his
Or sit in the sun with
How will he be forged into the bright star
Screaming across the universe and leaving stories in its wake
If no one ever holds together his broken pieces
And tells him they are beautiful?
* Can anyone do that? Isn’t this a piece of writing about exactly how futile that idea, that tyrannical idea, which will not leave me, is? We were in uncharted territory of coming of age anyway, let alone coming of age in the age of uncertainty. The post-apocalyptic movies had it wrong, they are missing the sense, the ever-present underlying sense of stress. Humans are adaptable, yes, we can find comfort and levity, yes. We’ve laughed, I won’t deny it. But there’s more than that, there’s this… background hum that lays down over everything like a wet velvet blanket, sodden through and dripping.